Exhibition Announcement: POST PAUSE

Two of my furlough daily embroideries are in POST PAUSE, the inaugural exhibition of the new Easthampton City Arts online gallery. Curated by Maggie Nowinski, POST PAUSE presents works created during this time of pandemic by artists in western Massachusetts. Each artist's work is accompanied by a statement about how their creative practice has been impacted by COVID-19.

Bonnie Sennott, Daily Embroidery (19 Days), 2020, perle cotton on natural linen, 8 x 8 inches

Bonnie Sennott, Daily Embroidery (19 Days), 2020, perle cotton on natural linen, 8 x 8 inches

Bonnie Sennott, Daily Embroidery (24 Days), 2020, perle cotton on linen dyed with oak galls, 8 x 8 inches

Bonnie Sennott, Daily Embroidery (24 Days), 2020, perle cotton on linen dyed with oak galls, 8 x 8 inches

These abstract embroideries employ the technique of negative space embroidery. The unstitched spaces speak of all that’s disappeared from my life this year — I’ve had two shows canceled when the galleries closed. I’ve lost income due to being furloughed from my job. I’ve lost my sister Jackie, who passed away due to cancer. Daily embroidery has been a way to create something positive out of the loss and fragmentation of 2020.

I hope you’ll have a chance to visit the new Easthampton City Arts online gallery and see the exhibition. So far as I can tell, it’s not searchable, so here’s a direct link to my work.

Daily Thread: Piece No. 4 (Transition)

Daily Thread: Piece No. 4 (Transition), by Bonnie Sennott, 2019, pearl cotton and linen, 6 inches x 6 inches

Daily Thread: Piece No. 4 (Transition), by Bonnie Sennott, 2019, pearl cotton and linen, 6 inches x 6 inches

March in New England is a blustery month, with weather that shifts erratically from winter to spring and back again (sometimes all in one day!). So I gave the fourth piece in my yearlong daily stitch journal the theme of “transition.”

I began stitching Daily Thread: Piece No. 4 on March 11, 2019 and finished on March 31 (Days 70-90 of the project). There was plenty of snow on the ground during that time, which led me to work quite a lot of white and cream seed stitches.

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Stitch log for Piece No. 4 in progress

Stitch log for Piece No. 4 in progress

As I did for all 18 pieces in Daily Thread, I stitched a small amount of each day’s color on a piece of drawing paper. In addition to recording the progression of time and color across the year, these stitch logs had a personal meaning. Stitching the day’s color on the stitch log was a small ritual I used to mark the beginning of the day’s work — to set off the time for art from time devoted to other daily tasks — rather like ringing a bell at the start of a meditation session. When I exhibit Daily Thread at the Hosmer Gallery in Northampton in April, I will hang the stitch logs along with the embroideries.

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Gradually, as the snow melted, the tawny colors of the yard and far field reappeared, along with a few shoots of green. My daily color choices expanded accordingly.

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My next post will take a look at Daily Thread: Piece No. 5.

LINKS

About the Daily Thread Project
@bonniesennottart on Instagram